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Last Update
- June 21th, 2003
Good Christian
Talks About Playing a Yuppie from Hell
Moira McCormick, Barnes & Noble.com, September 5, 2000
Christian Bale, the 26-year-old British actor who first attracted
attention playing a cosseted schoolboy in Steven Spielberg's underrated
epic, Empire of the Sun, refuses to get stuck in a rut. After
turns in Little Women, The Secret Agent, and The Portrait of a
Lady threatened to cement his onscreen persona in courtly-Victorian-gent
overshoes, Bale decided to shake things up. He played a closeted
gay journalist in Todd Haynes's extravagantly outre Velvet Goldmine,
an emotionally ravaged man-child in All the Little Animals, and
a sadistic yuppie serial killer in Mary Harron's adaptation of
Bret Easton Ellis's almost universally reviled novel, American
Psycho. It was a role many had predicted would be career suicide.
Instead, Bale drew raves for his portrayal of the status-obsessed,
spiritually blank Patrick Bateman -- a part he almost lost to
Leonardo Di Caprio. Bale explains to Barnes & Noble.com's
Moira McCormick why he fought so hard to keep it.
Barnes
& Noble.com: American Psycho had people up in arms -- feminist
groups, victims' rights groups, et cetera -- before it even came
out. How did you feel about that?
Christian Bale: When
it comes to films, people often don't differentiate between the
message of a bad central character and the message of the film
itself. They are two separate things. People just assume "The
character is the film." It's a very shortsighted way of looking
at a film, especially with something like American Psycho.
B&N.com:
Were you worried the growing concern with violence in entertainment
would have an effect on the reception of American Psycho?
CB: It does require
a certain level of experience and intelligence to appreciate the
film properly - [director] Mary Harron and I just sort of expected
that from the viewers. My hope is that people will be repulsed
by the character's complete lack of ethics and obsession with
consumerism -- that's what I was saying about the difference between
the character's message and the film's message.
B&N.com:
The film's actually very satirical and funny, which is what Ellis
claimed the book was all along. Mary downplayed the carnage and
sharpened the social satire. It makes you wonder why Ellis needed
all that excruciatingly detailed violence in the first place.
CB: Because he wanted
to show that Bateman's obsession with details is the source of
his insanity. That's what I see about Bateman -- his fixation
on minutiae, and absolutely needing to get an answer for every
little tiny thing, even though all the things he's interested
in are completely shallow.
B&N.com:
You were Mary Harron's first choice for the role, and you had
to fight to keep it when the studio abruptly offered it to Leonardo
Di Caprio. What was it about playing Bateman that was so important
to you?
CB: I'd been involved
with this from the beginning, before there was financing, before
there was anything. It was a genuine filmmaking experience for
me, rather than just being an actor for hire. I just felt that,
if I quit that easily, I was never going to really get any fulfillment
out of making movies. I really wanted to do this. It was a director's
vision, and no, it's not a famous director and no, I'm not a famous
actor. But I had to fight against people taking an artistically
valid script and messing around with somebody's vision of it.
B&N.com:
How do you feel about the way American Psycho has been received?
CB: A lot of people
seem to think that in terms of box office, it didn't do very well.
But it actually did -- this is a movie that cost seven million
Canadian dollars, I think, and it got like nine million on its
first weekend in the States. If you compare it to Erin Brockovich,
or whatever, you say, "ooh, that didn't do so well."
But in terms of how much it cost to what it's making back, it
did fantastically. And it's continued doing that around the world.
As for the reviews, I actually enjoyed all of them, because even
if they were scathing, they tended to have a comment to make,
you know? And I believe it was Roger Ebert who went from calling
the film pornography to giving it a recommendation. That is an
interesting movie, if it can change someone's opinion that radically.
B&N.com:
You were just in John Singleton's Shaft, as the villain once again
-- another wealthy villain, in fact.
CB: It wasn't what
I had planned -- to do Shaft coming straight off American Psycho.
It wasn't really what I should have done, you know? But I did,
and I'm glad that I did. But I definitely need to get away from
portraying rich bad guys, which is why my current role is perfect.
B&N.com:
You're filming Captain Corelli's Mandolin in Greece at the moment.
Your character, Mandras, the rival of leading man Nicolas Cage
certainly has his dark side, though. Did your part in American
Psycho play into your getting cast as Mandras?
CB: Director John
Madden (Shakespeare in Love) hadn't actually seen American Psycho
or Shaft. I just met with him and read for him.
B&N.com:
You're renowned for your facility with accents -- are you doing
a Greek dialect in this one?
CB: Oh yeah. You know,
we've got Nicolas Cage [an American] doing an Italian accent,
Penelope Cruz [a Spaniard] doing a Greek accent, me [a Briton]
doing a Greek accent -- you get all of us in one scene, and it's
hectic for the dialect coach. She's got her bloody work cut out
for her.
Source - video.barnesandnoble.com