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- June 21th, 2003
Killer personality
Matt Wilce, Metropolis (Japan) #370, April, 2000
Matt Wilce takes a stab at Christian Bale, star of 'American
Psycho'
Round about the time
Patrick Bateman was slicing and dicing prissy New York debutantes,
British actor Christian Bale was off filming his first major movie,
Empire of the Sun, with Steven Spielberg. Fourteen years have
passed since then, and finally Bret Easton Ellis's scathing satire
of '80s consumerism has made it to the screen with Bale as Bateman.
Bale's portrayal of an American Psycho - perfect casting - is
worlds apart from the boy-hero that made him a star, and the costume
dramas that followed. Thankfully he won't appear in the no-doubt
inferior sequel, currently in production, that's a response to
the movie's $15 million US gross. Bale recently returned to Tokyo
to give us the inside story on murder in New York.
You
weren't the first choice for the part - Leonardo DiCaprio was
originally approached - so how did you end up getting it?
I didn't
get offered the movie immediately, but after a number of conversations
with the writer/director, Mary Harron, and then meeting her in
New York, I signed on. I first read the script on the set of Velvet
Goldmine, and the producer had worked with Mary before on I Shot
Andy Warhol. I hadn't read the book, but I'd heard a lot about
it. I thought I knew what the book was about, so I was really
surprised at the script. I believed American Psycho to be a gore-fest
and purely about a serial killer. In the US, the book caused quite
a controversy. Many reviews of the book unfortunately only mentioned
the violence and not the satire and intelligence of it.
What
struck you when you got the script?
When I read
it I found myself laughing an awful lot. It's not purely a comedy,
but it's so ridiculous in places that you can't help but laugh
at Bateman. I didn't think that was the reaction I was meant to
have. So when I called Mary, I opened the conversation by saying,
"Look Mary I find the script is one of the funniest I've
ever read. So should we stop talking immediately?" To which
she said that's the whole point. She feels that's what most people
miss about the book and the movie. It was the wit of the piece
and the comedy of manners that she focused on.
What
appealed to you about the character?
It was unlike
any character that I've ever played or ever will play - I don't
think you get many Patrick Batemans in cinema. It was a perfect
opportunity for me to distance myself from a number of nice-guy
costume drama roles - in very good movies that I liked, such as
Little Women and Portrait of a Lady. This was a chance for me
as an actor to surprise myself and everyone else. I was also attracted
because everyone told me it would be career suicide for me to
play the part.
How
did you prepare to play the role?
I think the
initial misunderstanding people had about Bateman was that he
was the centerpiece of a story just about a serial killer. To
me it was almost irrelevant that he's a serial killer. He's a
ridiculous exaggeration of the greed-is-good mentality of the
'80s. It's about this 26-year-old with endless amounts of money
and privilege, a so-called "Master of the Universe,"
being able to get away with anything because he was essentially
American aristocracy. It was really a comment about that period
and capitalism at its worst, an era when image meant everything.
So that was what I focused on. In my research, I found that Bret
Easton Ellis had really painted a caricature of a serial killer,
and he'd blended most of the famous killers to create Bateman,
but it wasn't a part that required very deep research.
Did
playing such a violent and amoral character have any effect on
you?
I think I
enjoyed playing Bateman more than any character I've played. A
lot of people thought it would be a troubling part to play, and
that it would leave some sort of dark residue on my soul. The
approach to the movie was not one of realism; it's kind of a heightened
reality. The characters in this movie are incredibly superficial.
While Bateman performs in his everyday life, when he puts on his
designer suit and shows his business card, it's all a performance
just like an actor. So I allowed myself to "perform"
much more in this movie, and therefore I could just switch it
off at the end of the day. It was actually one of the funniest
sets that I've worked on.
The
book is very much focused on American yuppie culture. Do you think
it is ironic that a British actor ended up playing this role?
Yes. It's
also kind of ironic that the director, Mary Harron, isn't actually
American either. She was born in Canada, grew up in Britain, and
was educated at Oxford and worked for the BBC. Mary felt that
my understanding of the British class system would help me to
play Bateman, as he's part of a class system of wealth and success.
How
did you go about getting in shape to play Bateman?
The character
is so vain and obsessed with his looks. Whilst the psychology
of the character was something that I could perform, you can't
fake the physicality. Being English, I tend to enjoy going down
to the pub far more than going to the gym, so it was very unnatural
for me. I just had to convince myself that I loved it, which was
the most difficult thing about playing this part. Working out
is incredibly boring. I swear its true that the bigger your muscles
get, the fewer brain cells you have. I found I had to stop thinking
when I was in the gym because if I thought about it, I'd realize
how ridiculous it was that I was pumping iron when I could've
been out having a drink and a cigarette and enjoying some lunch.
I did three hours a day for six weeks with a personal trainer
and some time before that. I ate an awful lot during training
and then almost nothing during filming.
What's
it like being in Japan?
It's wonderful
to be back in Tokyo. I haven't been here since I was 15 years
old back in 1989, and I had a fantastic time then. I hope everyone
here enjoys the movie.
Source - metropolis.japantoday.com