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- June 21th, 2003
'Reign of Fire'
Interview
Action-Adventure
Movies, July 7, 2002
What
makes this a unique dragon movie?
I don't think
there's been a decent movie, unfortunately, ever that I've seen.
We've had ones with singing dragons, you've had talking dragons
and all that. I don't want to knock Pete's Dragon. I remember
enjoying that as a kid but I've never seen anything where dragons
were anything more than something a little ridiculous that should
be laughed at as well as feared. Right from the start, with this,
we had to make sure that the dragons come out as predators, that
they don't have personalities whatsoever. Rob told me there were
a couple of suggestions early on to have some female dragons with
slightly doe eyes who sort of liked my character. I don't know
what they were thinking about. These were the kind of battles
that he would have to have but be very diplomatic about, just
to ensure that we ended up with a movie where they were like a
crocodile or like a shark. It's not like they're an evil presence.
They're just animals going around doing their business, feeding.
We just happen to be part of the diet.
How
has this experience been different from your usual drama?
"Oh my
God, there's a dragon!" That's the main difference. The star
of the movie was never there but that actually doesn't take much
getting used to. There are actually many times in every movie,
even movies without CGI where unfortunately, you might get a very
small room and the lighting is taking up all the space and you
do the scene, looking as though you're talking to somebody else,
but they're not actually there. You're talking to the wall because
the actor can't fit in behind the camera. There's often times
when you're having to look at nothing whatsoever, pretend. But
the surprising thing I found with this was that we really never
used blue screen. There were maybe two occasions when we used
it. I was expecting to be in front of it the whole bloody time.
Friends of mine who had worked on blue screen movies had said
it was really dull, very boring and very difficult to do. This
was somewhat easier because we were out in Ireland. There was
this enormous castle and sure, we were looking at thin air, but
you still had the benefit of having complete depth of focus and
everything and being able to run and really feel the sort of dirt
of the area instead of being on a very hygienic soundstage with
a blue screen behind you. Other than that, just the pure size
of the whole thing. It's a bigger budget movie than I've ever
done. It has a longer schedule than anything I've ever done before.
It was essentially a bigger risk than anything.
What
is the biggest stunt you do?
I do pretty
much all of my stunts. Occasionally, there's a second unit off
shooting stuff and they did some helicopter stuff without me.
I don't ever fly, but the only thing I do know is that my double
for that, the first time they did the helicopter ride, they landed
and he disappeared. He said he quit and he'd never go through
that again because he was so scared at the maneuvers the helicopter
pilot was pulling. The pilot on this was just brilliant. He flew
in Vietnam and got shot down like 19 times. He was the most decorated
non-American in Vietnam, so his piloting skills were just incredible.
I would ask to go up with him and he'd be maneuvering around the
place and you're hanging with the door wide open. Actually, the
only stunt that I actually got clocked in was a fight sequence
between Matthew and myself. Matthew was really in pretty formidable
shape for the movie. He was down in the boxing gym constantly
in Dublin sparring with different people, getting kind of huge
and ferocious. Then we had a fight scene. We wanted to make sure
that it looked kind of dirty and scrappy as real fights are, instead
of everybody landing the perfect punch and all that sh*t. We had
a head butt in the fight sequence and we said we wanted to make
it as real as possible and Matthew really took it to heart and
he just head butted me for real. That stayed in the movie.
Describe
your verbal sparring with Matthew.
The thing
between Quinn and Van Zan is that they want exactly the same thing.
They both want to survive. But, they have very different philosophies
about how to do that. Van Zan is a gung ho kind of insane military
man who just bullies and goes in there all guns blasting. Quinn
was the first to see any of the dragons at all. He's had the reality
of seeing it up close and kind of recognizes that maybe fear isn't
such a bad emotion. It's just impossible to take this thing down,
so his philosophy is just to outlast them. When Van Zan first
arrives, he has this story about having taken down a dragon. Just
something about the way he tells it, Quinn looks at him and actually
believes it because there had been so many people who claimed
to be dragon slayers in the past and they were just full of crap.
This guy looks mad enough that he maybe really did do that. That's
kind of intriguing to Quinn so he lets him inside of the castle
walls, but then once he's inside, Quinn realizes just how insane
this guy really is and he's going to threaten the lives of all
of the people, this community that he has helped to build up.
He immediately recognizes that he's made a mistake and wants him
the hell out. So, there aren't a whole lot of friendly scenes
between the two of us. It is two very stubborn sons of bitches
really, two sort of control freaks, two people who are used to
being the leader who are suddenly having to work together. Ultimately,
they do that, but to start off with, they're just fighting constantly.
Source - actionadventure.about.com